Entertainment
MUMBAI : Good Luck Jerry director says too much Bollywood-bashing is happening nowadays
MUMBAI : Director Siddharth Sen’s first official Bollywood film Good Luck Jerry has brought all the good luck for him. Starring Janhvi Kapoor in the lead, the dark crime comedy is the remake of Nayanthara’s hit Tamil film Kolamaavu Kokila.
During a conversation with Hindustan Times, a happy Sidharth reflected upon the film’s positive critical reviews and said, “Since it’s my first film I was nervous and scared. Phew!.”
Siddharth started his journey in films under Dibakar Banerjee on Oye Lucky Lucky Oye and made his directorial debut with The Great Escape. According to Siddharth, Good Luck Jerry has reminded his friends of Dibakar’s style, naturally. But, did Dibakar see his film? He laughed and answered, “No! I don’t think he has time. I will ask him after a while.”
Good Luck Jerry released amid the raging Bollywood vs South debate. He weighed in, “It has become a task to deliver a good film as the thought process of the audience has changed. Post the release, the way the media behaved toward our film was very surprising. The critics can give left, right and centre to a film, if not good. But, it happened quite the opposite for us. When you see the audience talking about the film on Twitter, Facebook, or Insta, it makes you even happier. Nowadays people can troll a film very easily online.”
Good Luck Jerry released on Disney+ Hotstar instead of a theatrical release. So, what’s more important for the director—critical acclaim or good business? “The whole game changes when it comes to OTT. If compared, I would say, I care for both. I want to do mindful films and not mindless films.”
The Janhvi Kapoor-starrer faced comparisons with the original 2018 film. “I and my writer, Pankaj Matta always talked about it. We wanted to have a different take. I’m very happy that people have taken it positively.
People have called it absolutely different from the original,” the director reasoned, adding, “In our case, I think there will always be a section of people who will compare but I think it’s good that it didn’t happen too much to us.
The time we are in, people are absolutely bashing Hindi cinema. It’s happening too much. In the middle of it, if your film is released, of course you will have the constant fear: Will people will bash your film too? Now I can’t see the comparison at all. Somehow we managed to make a good film, maybe that’s why it didn’t happen to us.”
Last week, Hrithik Roshan lauded the Good Luck Jerry team with a special mention to Deepak Dobriyal. Reacting to it, Siddharth revealed, “I was pleasantly surprised. It was out of the blue. This is very good. When people from the industry are watching your film and posting a tweet, you must have done something good. Suresh Triveni, Anurag Basu, Tahira Kashyap and others messaged me directly.”
“In the south, the film has Nayanthara, you can put a film on her shoulder because she is a big star. When we started with Janhvi, we wanted to change the main lead to a younger and vulnerable character; but at the same time, we created more interesting characters. Each had its back story. We wanted everyone to perform very well.
It made Janhvi perform very well. The audience has picked their favourite character from the film. Someone like Janhvi (Jerry), Deepak (Rinku), Sahil (Jigar), Jaswant (Timmy), Samta (Cheery), Mita (Sharbati), and Sushant Singh (Daler),” he said, talking about the film’s cast, whom critics have also praised.
Good Luck Jerry has established Janhvi on the acting front. How is Janhvi as an actor, beyond her filmy background? The director answered with a smile, “She is a perfect director’s actor. She is as good as a filmmaker. Always looking for something from the director, she was always very cautious and curious on the sets. She was always adding something extra to the scene.”
Siddharth also revealed how Janhvi wasn’t sure about picking up a Bihari accent for the film. “I told her if she is thinking about it then she can definitely do it. She went to 30-35 classes, she had to listen to Bhojpuri songs. I remember she told me that during the phase she went for an audience when the director told her ‘why are you acting so Bihari? why are you talking like someone from UP/ Bihar’. She was completely into it and on the sets, she was completely talking in that lingo.”
Good Luck Jerry was shot in phases after the first wave of the covid-19 pandemic in India. With a limited number of crew members, it was shot in the remote areas of Bassi Pathana in Punjab. Recalling the experience, Janhvi previously shared how she felt intimidated initially. To this, the director made her spend more time on the sets, even when it wasn’t her turn to face the camera.
Explaining the thought behind the process, Siddharth said, “It was, more importantly, to get her comfortable with the surroundings of the place where we shot. When she visited the set before the shoot, I told her ‘see you are Janhvi Kapoor, you have a vanity van outside, you can go there as many times you want.
I would say just spend more time on set because you don’t belong to this world.’ She might have read the script or learnt the language but she hardly knew anything about the lifestyle of the rural place. On the first day, she was reading the script while sitting on the street.
I first thought she did it because the director asked her but throughout the shoot, she remained like that. By the time we finished the film, she learned carrom, magic tricks, and playing cards; She rode an auto-rickshaw. She ate anywhere, and slept on monitor tables after her shots got delayed. That’s how she became comfortable. She had a great bonding with all the actors.”
Good Luck Jerry is among the few safe films which didn’t face any calls of boycott amid the ongoing debate about cancel culture in Bollywood. Aamir Khan’s Laal Singh Chaddha and Akshay Kumar’s Raksha Bandhan trended on Twitter with hashtags calling for boycotts. When asked about it, as a newcomer director, Siddharth added, “I might be a first-timer but I don’t shy away to say that it’s ridiculous.
For the people who are doing it, I think they have too much time. There are so many things in this world other than a cinema. You have all the time to only boycott a particular film. You pull out an old tweet and say don’t watch to others, I am finding it very absurd, sorry.
I saw a video where everyone is saying boycott Laal Singh Chaddha, but why? I don’t see a reason. I don’t understand. The world is going through sh**.”
He continued, “This industry sadly has always and will always get love. It’s just because of the love, we get hatred too. People love to know everything about the stars. Social media has brought their lives upfront. Earlier, it used to be only in magazines. People now just love to comment. They are vocal and can say anything without a thought. Frustration is also there, I think. Bashing Bollywood will at least give them the limelight or else why will anyone read? Stars are the targets all the time.”
So, what’s next for Siddharth? He said, “Will start something sooner. I am trying to move on from Good Luck Jerry because it’s done. Someone called me the ‘hope for Bollywood’, I think it’s too much! Maybe they are just happy to see a Bollywood film working. We had films like Bhool Bhulaiyaa 2, now Darlings, which did great.”
Entertainment
NEW DELHI: Karan Johar’s Dharma Productions Sells 50% Stake
NEW DELHI: Business tycoon Adar Poonawalla has acquired a 50% stake in Karan Johar‘s Dharma Productions and Dharmatic Entertainment (collectively known as Dharma). According to a press note released by Dharma Productions, the deal, finalised for ₹1,000 crore, involves Poonawalla’s Serene Entertainment. The remaining 50% ownership will remain with Karan Johar, who will lead the company’s creative vision as the Executive Chairman.
As the Chief Executive Officer, Apoorva Mehta will collaborate with Karan to guide the strategic direction and ensure operational excellence within the organisation.
Adar Poonawalla expressed his happiness to join hands with Karan Johar. He said, “I am delighted to have the opportunity to partner with one of the most iconic production houses in our nation, along with my friend Karan Johar. We hope to build and grow Dharma and scale even greater heights in the years to come.”
Talking about the partnership, Karan Johar said, “From its inception, Dharma Productions has been synonymous with heartfelt storytelling that captures the essence of Indian culture. My father dreamed of creating films that would leave a lasting impact, and I’ve dedicated my career to expanding that vision.”
KJo added, “Today, as we join forces with Adar, a close friend and an exceptional visionary and innovator, we’re poised to elevate Dharma’s legacy to new heights. This partnership represents a perfect blend of our emotional storytelling prowess and forward-thinking business strategies. It’s about honoring our roots while embracing the future of global entertainment. Dharma’s journey has been remarkable, and this collaboration opens up a world of possibilities for creating content that will resonate across borders and generations.”
The CEO of Dharma, Apoorva Mehta said that this partnership allows the production house to take “bigger creative steps.” He said, “Over the years, I’ve witnessed Dharma’s transformation into a multi-faceted content powerhouse. This partnership with Adar realizes our vision and marks a new era where cinema, streaming, and global content converge. It enables us to explore new avenues in content creation and distribution, elevating the Indian entertainment ecosystem. More importantly, this investment allows us to take bigger creative steps.”
Dharma Productions was founded in 1976 by Karan Johar’s father, Yash Johar. The production house has been behind films such as Kuch Kuch Hota Hai, Kabhi Alvida Naa Kehna, Student of the Year, Good Newwz and Brahmastra: Part One – Shiva.
On the other hand, Dharmatic Entertainment was launched in 2018 and focuses on a wide array of projects, including web series, documentaries and feature films. Ajeeb Daastaans, Ae Watan Mere Watan, Koffee With Karan, Fabulous Lives of Bollywood Wives and The Tribe are produced by Dharmatic Entertainment.
Entertainment
MUMBAI: Shahid Kapoor opens up about the challenges faced by character actors in Bollywood
MUMBAI: There is a prejudice against star kids that every actor’s child is born with a silver spoon in his mouth. However, according to Shahid Kapoor, this is not true, as the power lies in the hands of superstars, big directors, producers, and not character actors.
In a conversation with Neha Dhupia on her chat show, Shahid Kapoor, who is the son of veteran actor Pankaj Kapur, delved into the nuanced dynamics of privilege and struggle within the Bollywood industry. Despite his lineage, Kapoor candidly addressed the challenges faced by character actors, highlighting the stark reality that only superstars wield significant influence while character actors often lack power.
Shahid expressed his belief in the importance of earning success through hard work, emphasizing the satisfaction derived from overcoming obstacles and earning recognition on merit. He said starting your struggle in a luxury car and then buying a luxury car after being successful doesn’t have any fun. One needs to know the challenge of traveling on local trains, and the complexity of arranging money for the first photoshoot, as the victory after this hard work tastes sweet.
He even reflected on being a background dancer during his initial days. He said, forget about enjoying a star status among the other background dancers, when you are working with choreographer Shaimak Dawar, you need to earn your place in the center. He expressed that there was a struggle and fight among his contemporaries to get a spot in the first row.
Amid these reflections, Kapoor remains focused on his craft, having recently commenced shooting for his upcoming action thriller, ‘Deva,’ which was announced last year.
Entertainment
MUMBAI: Pyaar Kiya To Darna Kya turns 26: Kajol says THIS was the symbol of an innocent girl back then
MUMBAI: One of the most successful movies of the 90s, Pyaar Kiya To Darna Kya brought on-screen Kajol and Salman Khan for the first time, in a simple boy meets girl love story. The movie also starred Arbaaz Khan and Dharmendra in key roles, and was directed by Salman’s brother Sohail Khan.
Today, the movie completed 26 years of its release, and marking the occasion, Kajol took to her IG handle to share some stills with Salman, Dharmendra and Arbaaz. In the movie, Kajol plays Muskaan, a simple village girl, who goes to the city for higher studies, where she meets the rich Suraj (Salman), and falls in love with him, despite their contrasting backgrounds. Sharing the same, Kajol wrote, “When tying ur hair in a plait was a symbol of an innocent girl 👧🤪 #26yearsofpyaarkiyatodarnakya”
While on Kajol, earlier this month, on Women’s day, March 8, Kajol posted a video paying tribute to the wonderful women in her life including her mother Tanuja, sisters Tanishaa Mukerji and Rani Mukerji, daughter Nysa Devgan and mother-in-law Veena Devgan. She shared a throwback video and said, “Happy #womensday to all these amazing women who don’t need a day to celebrate themselves coz they’re running their worlds everyday and they can and do take a day off when they need it without anyone’s permission! Cheers and kudos to this breed of #badasswomen!#internationalwomensday.”
On the work front, Kajol will next be seen in Kriti Sanon’s maiden production venture, ‘Do Patti’. The film marks the first-ever collaboration of Kajol and Kriti Sanon. The teaser of the film was launched in February, and Kajol essays the role of a cop in the film. Speaking about the film earlier , Kajol said, “Do Patti has a standout script that promises a unique blend of adventure and mystery. It is a story that is not only rooted in India but also promises the thrill that can be enjoyed by entertainment enthusiasts across borders ’’
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