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MUMBAI: The queer story on OTT: It is still work in progress, says the film fraternity

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MUMBAI: The digital platform is quickly emerging as a medium for narrating stories from the queer community, whether through the main characters or sub plotlines. While everyone lauds the efforts to correct the skewed portrayal, the filmmakers claim that there is still a long way to go.

“It is great that LGBTQAI+ stories are being met with so much warmth by the audience, and that actors, filmmakers, producers and studios are going out there to tell these stories without batting an eyelid. But the best way to approach stories about the LGBTQ community going forward is to just tell them as they really are, without exaggerating them or without making them overly dramatic. Because at the end of the day, they are just stories about the human experience,” says director Mozez Singh, who explored story of a closeted lesbian in his latest web series, Human, with actor Kirti Kulhari .

According to GLAAD’s Where We Are on TV study this year, the inclusion of lesbian, gay, bisexual, transgender and queer characters is at an all-time high. And it is reflected in India as well with shows such as The Married Woman, His Storyy, 377 AbNormal, or through subplots such as actor Aahana Kumra’s quest to find love in Call My Agent: Bollywood, Plabita Borthakur exploring life as a bisexual in Bombay Begums, and Arjun Mathur’s journey as a gay in Made in Heaven.

“There is more acceptance. Therefore more narratives. Therefore more LGBTQ+ centric films and shows. And because the audience is evolving, newer narratives have a chance like my film, Hum Bhi Akele, Tum Bhi Akele… Now, I believe stronger, dramatic, real, slice of life narratives, not just comedies need to be made,” says actor Anshuman Jha, who essayed role of a gay in the film. He adds, “It’s a long journey but we are surely on the way”.

That’s something Mrinal Dutt, who was seen in His Storyy, agrees with. “Representation is definitely evolving, but it’s still a really long way to go. There is still a section of society which needs a little bit of opening up. It is happening, but it’s taking time,” he says.

The piece which will join together the missing bits from the narrative is authenticity. “What’s missing in the representation is that creators are still scared or limited in their imagination of LGBT+ characters,” asserts

Shubh Mangal Zyada Saavdhan (2020) director Hitesh Kewalya feels that “we need to work on our own biases as we go along creating narratives representing queer community”.

He explains, “They are considered different while writing them in the story. Sometimes the writers think that we can’t write them because we don’t know anything about them…which is an incorrect way to approach this issue.”

Meanwhile, filmmaker Onir feels that accurate representation, even on the web, is still in a questionable stage.

“t is always heterosexual people writing our stories, or people who are in the closet who are representing us. They themselves are taking baby steps without understanding us. When I approach an OTT platform, they tell me this is too much. And suddenly I see some straight person making a film or series on the community. There is no attempt as such to empower people who have been working on the space for so many years,” he expresses.

To this, Sheer Qorma director Faraz Arif Ansari adds, “Most of the representation in Indian films and OTT is always missing that sense of truth and hence, always feels short of encapsulating real queer lives and stories and hence doesn’t resonate deeply or does what it needs to do — to open a larger dialogue beyond the queer community”.

However, not all is lost. Filmmaker Apurva Asrani is holding on to hope for a change, and appreciates the steps to increase inclusivity for all.

“From pathetic characters who were used for humiliation, laughs or villainous purposes, the LGBTQAI+ characters today have a larger purpose in the scripts. They have an identity, they have beating hearts… We are no longer criminalised and the stories of oppression are slowly becoming stories of celebration of the community. What stood out for me was the character of Khan (Vikas Kumar) in Aarya. He maybe homosexual, but his purpose in the script is to be Aarya’s formidable foil. A real evolution, which will increase in the future” he signs off.

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NEW DELHI: Karan Johar’s Dharma Productions Sells 50% Stake

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NEW DELHI: Business tycoon Adar Poonawalla has acquired a 50% stake in Karan Johar‘s Dharma Productions and Dharmatic Entertainment (collectively known as Dharma). According to a press note released by Dharma Productions, the deal, finalised for ₹1,000 crore, involves Poonawalla’s Serene Entertainment. The remaining 50% ownership will remain with Karan Johar, who will lead the company’s creative vision as the Executive Chairman.

As the Chief Executive Officer, Apoorva Mehta will collaborate with Karan to guide the strategic direction and ensure operational excellence within the organisation.

Adar Poonawalla expressed his happiness to join hands with Karan Johar. He said, “I am delighted to have the opportunity to partner with one of the most iconic production houses in our nation, along with my friend Karan Johar. We hope to build and grow Dharma and scale even greater heights in the years to come.”

Talking about the partnership, Karan Johar said, “From its inception, Dharma Productions has been synonymous with heartfelt storytelling that captures the essence of Indian culture. My father dreamed of creating films that would leave a lasting impact, and I’ve dedicated my career to expanding that vision.” 

KJo added, “Today, as we join forces with Adar, a close friend and an exceptional visionary and innovator, we’re poised to elevate Dharma’s legacy to new heights. This partnership represents a perfect blend of our emotional storytelling prowess and forward-thinking business strategies. It’s about honoring our roots while embracing the future of global entertainment. Dharma’s journey has been remarkable, and this collaboration opens up a world of possibilities for creating content that will resonate across borders and generations.”

The CEO of Dharma, Apoorva Mehta said that this partnership allows the production house to take “bigger creative steps.” He said, “Over the years, I’ve witnessed Dharma’s transformation into a multi-faceted content powerhouse. This partnership with Adar realizes our vision and marks a new era where cinema, streaming, and global content converge. It enables us to explore new avenues in content creation and distribution, elevating the Indian entertainment ecosystem. More importantly, this investment allows us to take bigger creative steps.”

Dharma Productions was founded in 1976 by Karan Johar’s father, Yash Johar. The production house has been behind films such as Kuch Kuch Hota Hai, Kabhi Alvida Naa Kehna, Student of the Year, Good Newwz and Brahmastra: Part One – Shiva.

On the other hand, Dharmatic Entertainment was launched in 2018 and focuses on a wide array of projects, including web series, documentaries and feature films. Ajeeb Daastaans, Ae Watan Mere Watan, Koffee With Karan, Fabulous Lives of Bollywood Wives and The Tribe are produced by Dharmatic Entertainment.

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MUMBAI: Shahid Kapoor opens up about the challenges faced by character actors in Bollywood

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MUMBAI: There is a prejudice against star kids that every actor’s child is born with a silver spoon in his mouth. However, according to Shahid Kapoor, this is not true, as the power lies in the hands of superstars, big directors, producers, and not character actors.
In a conversation with Neha Dhupia on her chat show, Shahid Kapoor, who is the son of veteran actor Pankaj Kapur, delved into the nuanced dynamics of privilege and struggle within the Bollywood industry. Despite his lineage, Kapoor candidly addressed the challenges faced by character actors, highlighting the stark reality that only superstars wield significant influence while character actors often lack power.

Shahid expressed his belief in the importance of earning success through hard work, emphasizing the satisfaction derived from overcoming obstacles and earning recognition on merit. He said starting your struggle in a luxury car and then buying a luxury car after being successful doesn’t have any fun. One needs to know the challenge of traveling on local trains, and the complexity of arranging money for the first photoshoot, as the victory after this hard work tastes sweet.

He even reflected on being a background dancer during his initial days. He said, forget about enjoying a star status among the other background dancers, when you are working with choreographer Shaimak Dawar, you need to earn your place in the center. He expressed that there was a struggle and fight among his contemporaries to get a spot in the first row.

Amid these reflections, Kapoor remains focused on his craft, having recently commenced shooting for his upcoming action thriller, ‘Deva,’ which was announced last year.

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MUMBAI: Pyaar Kiya To Darna Kya turns 26: Kajol says THIS was the symbol of an innocent girl back then

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MUMBAI: One of the most successful movies of the 90s, Pyaar Kiya To Darna Kya brought on-screen Kajol and Salman Khan for the first time, in a simple boy meets girl love story. The movie also starred Arbaaz Khan and Dharmendra in key roles, and was directed by Salman’s brother Sohail Khan.

Today, the movie completed 26 years of its release, and marking the occasion, Kajol took to her IG handle to share some stills with Salman, Dharmendra and Arbaaz. In the movie, Kajol plays Muskaan, a simple village girl, who goes to the city for higher studies, where she meets the rich Suraj (Salman), and falls in love with him, despite their contrasting backgrounds. Sharing the same, Kajol wrote, “When tying ur hair in a plait was a symbol of an innocent girl 👧🤪 #26yearsofpyaarkiyatodarnakya”

While on Kajol, earlier this month, on Women’s day, March 8, Kajol posted a video paying tribute to the wonderful women in her life including her mother Tanuja, sisters Tanishaa Mukerji and Rani Mukerji, daughter Nysa Devgan and mother-in-law Veena Devgan. She shared a throwback video and said, “Happy #womensday to all these amazing women who don’t need a day to celebrate themselves coz they’re running their worlds everyday and they can and do take a day off when they need it without anyone’s permission! Cheers and kudos to this breed of #badasswomen!#internationalwomensday.”

On the work front, Kajol will next be seen in Kriti Sanon’s maiden production venture, ‘Do Patti’. The film marks the first-ever collaboration of Kajol and Kriti Sanon. The teaser of the film was launched in February, and Kajol essays the role of a cop in the film. Speaking about the film earlier , Kajol said, “Do Patti has a standout script that promises a unique blend of adventure and mystery. It is a story that is not only rooted in India but also promises the thrill that can be enjoyed by entertainment enthusiasts across borders ’’

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