Entertainment
MUMBAI: Actor Divya Bharti died at nineteen
MUMBAI: Divya Bharti’s rise to stardom and her untimely death April 5,1993 continues to intrigue fans, 27 years after her death. Was is an accident or was there more to it?
As per police files, Divya’s death remains an accident. The young actor was in an inebriated state when she walked on ledge of her 5th floor home’s balcony in Mumbai, slipped and fell. She was reportedly still breathing when she was rushed to the hospital but died on arrival. She was declared dead on arrival. Divya died of fatal head injuries.
However, her fans refuse to believe that a star so promising and an actor so young could have gone away. Conspiracy theories abound — a random search on the internet will throw up a number of web sites, claiming many things. Some claimed it was a murder while others believed it was case of suicide. An old Hindustan Times report from 2011 said how initially rumours were afloat that it was the handiwork of the underworld.
Roshmila Bhattacharya wrote: “I remember the day…April 6, 1993. I’d just stepped into the office when I was informed that Divya Bharti had been shot. ‘Who took the pictures? Gautam Rajadhyaksha or Rakesh Shrestha?’ I enquired. My colleague responded by saying he wasn’t talking photographs. ‘She’s been gunned down, I’m told the underworld is involved,’ he whispered. I dismissed it as just a rumour, but within minutes, the news was confirmed that Divya was dead.”
“At the hospital we learnt that Divya had apparently slipped from the ledge on which she’d been perched. There were whispers of suicide, even murder, but eventually, her death was ruled as an accident and the file closed.”
The article recounts how the final moments before she breathed her last. “She was rushed to Cooper hospital, still breathing, holding tightly to the doctor’s shirt sleeve even as he assured her that she’d be fine. Then, just as they swept in through the hospital’s gates, she reportedly tugged on Dr Lulla’s sleeve one last time, before her grip slackened. She was declared dead on arrival,” it added.
What’s more her family firmly believed it was an accident.
Speaking to India Today, Divya’s father Om Prakash Bharti had said, “There was no question of suicide or murder. Yes, she did drink a bit but how much can you drink in half an hour? And she was not depressed. She was the kind to give you depression!”
“It was an accident. She sat on the ledge, lost her balance and fell. Sadly, all flats had grills except hers. Cars would always be parked below but that night there was not a single one. She fell directly on the ground. I was shocked and lost my senses. But eventually you have to face the truth.”
Divya Bharti’s short but eventful life was a stuff of legends, in some ways. Decades before nepotism would become a word that an outsider would cling to, she was a Bollywood outsider who made it big not only in Bollywood but in Telugu films too. She has no film lineage–her father was insurance officer and mother, a housewife. Yet, what a staggering rise hers was.
Starting out when still in her teenage, her first film itself Bobbili Raju (1990), opposite Venkatesh (Rana Daggubati’s uncle) was a massive hit. In fact, it is still recalled as one of the biggest Telugu hits of the ’90s. The teenaged actor would then go on to form winning combination with top Telugu actors Chiranjeevi, Mohan Babu and Nandamuri Balakrishna. Subsequently, she gave more hits like Rowdy Alludu and Assembly Rowdy.
Having established her toehold in Telugu films, it was time to try her luck in Hindi films. In fact, before her Telugu films came out, she had been considered for two prominent projects in Mumbai — Radha Ka Sangam (with Govinda, a role which eventually went to Juhi Chawla) and Gunahon Ka Devta (1988 with Mithun Chakraborty) — both got stalled. However, after her super stardom in Telugu films, there was no stopping Divya. From her debut film Vishwatma (1991) to Kshatriya (her last release during her lifetime), she worked in one successful film after another, most noteworthy being David Dhawan’s Govinda starrer Shola Aur Shabnum and Shah Rukh Khan and Rishi Kapoor starrer Deewana.
Looking at the films that she had either partially shot for and were later filled in my other actors or had signed on to work in, would give a sense of how excited the industry was with the prospect of this new and young star — Anil Kapoor and Raveena Tandon’s Laadla (her role was reportedly later re-shot by Sridevi), she was replaced in Akshay Kumar’s Mohra, Ajay Devgn’s Vijaypath and Dilwale (all films went on to become hits). She has projects lined up with actors Akshay Kumar (Parinaam), Salman Khan (Do Kadam), Rishi Kapoor (Kanyadaan), Sunny Deol (Bajrang) and Jackie Shroff (Chal Pe Chal). Does it get any bigger in Bollywood of the ’90s?
Divya is best remembered for like sprightly personality, her beauty, her acting versatility and vivacity. Tune in to any retro music channels of today and chances are you will still hear ‘Saat Samundar’ from Vishwatma playing.
Entertainment
NEW DELHI: Karan Johar’s Dharma Productions Sells 50% Stake
NEW DELHI: Business tycoon Adar Poonawalla has acquired a 50% stake in Karan Johar‘s Dharma Productions and Dharmatic Entertainment (collectively known as Dharma). According to a press note released by Dharma Productions, the deal, finalised for ₹1,000 crore, involves Poonawalla’s Serene Entertainment. The remaining 50% ownership will remain with Karan Johar, who will lead the company’s creative vision as the Executive Chairman.
As the Chief Executive Officer, Apoorva Mehta will collaborate with Karan to guide the strategic direction and ensure operational excellence within the organisation.
Adar Poonawalla expressed his happiness to join hands with Karan Johar. He said, “I am delighted to have the opportunity to partner with one of the most iconic production houses in our nation, along with my friend Karan Johar. We hope to build and grow Dharma and scale even greater heights in the years to come.”
Talking about the partnership, Karan Johar said, “From its inception, Dharma Productions has been synonymous with heartfelt storytelling that captures the essence of Indian culture. My father dreamed of creating films that would leave a lasting impact, and I’ve dedicated my career to expanding that vision.”
KJo added, “Today, as we join forces with Adar, a close friend and an exceptional visionary and innovator, we’re poised to elevate Dharma’s legacy to new heights. This partnership represents a perfect blend of our emotional storytelling prowess and forward-thinking business strategies. It’s about honoring our roots while embracing the future of global entertainment. Dharma’s journey has been remarkable, and this collaboration opens up a world of possibilities for creating content that will resonate across borders and generations.”
The CEO of Dharma, Apoorva Mehta said that this partnership allows the production house to take “bigger creative steps.” He said, “Over the years, I’ve witnessed Dharma’s transformation into a multi-faceted content powerhouse. This partnership with Adar realizes our vision and marks a new era where cinema, streaming, and global content converge. It enables us to explore new avenues in content creation and distribution, elevating the Indian entertainment ecosystem. More importantly, this investment allows us to take bigger creative steps.”
Dharma Productions was founded in 1976 by Karan Johar’s father, Yash Johar. The production house has been behind films such as Kuch Kuch Hota Hai, Kabhi Alvida Naa Kehna, Student of the Year, Good Newwz and Brahmastra: Part One – Shiva.
On the other hand, Dharmatic Entertainment was launched in 2018 and focuses on a wide array of projects, including web series, documentaries and feature films. Ajeeb Daastaans, Ae Watan Mere Watan, Koffee With Karan, Fabulous Lives of Bollywood Wives and The Tribe are produced by Dharmatic Entertainment.
Entertainment
MUMBAI: Shahid Kapoor opens up about the challenges faced by character actors in Bollywood
MUMBAI: There is a prejudice against star kids that every actor’s child is born with a silver spoon in his mouth. However, according to Shahid Kapoor, this is not true, as the power lies in the hands of superstars, big directors, producers, and not character actors.
In a conversation with Neha Dhupia on her chat show, Shahid Kapoor, who is the son of veteran actor Pankaj Kapur, delved into the nuanced dynamics of privilege and struggle within the Bollywood industry. Despite his lineage, Kapoor candidly addressed the challenges faced by character actors, highlighting the stark reality that only superstars wield significant influence while character actors often lack power.
Shahid expressed his belief in the importance of earning success through hard work, emphasizing the satisfaction derived from overcoming obstacles and earning recognition on merit. He said starting your struggle in a luxury car and then buying a luxury car after being successful doesn’t have any fun. One needs to know the challenge of traveling on local trains, and the complexity of arranging money for the first photoshoot, as the victory after this hard work tastes sweet.
He even reflected on being a background dancer during his initial days. He said, forget about enjoying a star status among the other background dancers, when you are working with choreographer Shaimak Dawar, you need to earn your place in the center. He expressed that there was a struggle and fight among his contemporaries to get a spot in the first row.
Amid these reflections, Kapoor remains focused on his craft, having recently commenced shooting for his upcoming action thriller, ‘Deva,’ which was announced last year.
Entertainment
MUMBAI: Pyaar Kiya To Darna Kya turns 26: Kajol says THIS was the symbol of an innocent girl back then
MUMBAI: One of the most successful movies of the 90s, Pyaar Kiya To Darna Kya brought on-screen Kajol and Salman Khan for the first time, in a simple boy meets girl love story. The movie also starred Arbaaz Khan and Dharmendra in key roles, and was directed by Salman’s brother Sohail Khan.
Today, the movie completed 26 years of its release, and marking the occasion, Kajol took to her IG handle to share some stills with Salman, Dharmendra and Arbaaz. In the movie, Kajol plays Muskaan, a simple village girl, who goes to the city for higher studies, where she meets the rich Suraj (Salman), and falls in love with him, despite their contrasting backgrounds. Sharing the same, Kajol wrote, “When tying ur hair in a plait was a symbol of an innocent girl 👧🤪 #26yearsofpyaarkiyatodarnakya”
While on Kajol, earlier this month, on Women’s day, March 8, Kajol posted a video paying tribute to the wonderful women in her life including her mother Tanuja, sisters Tanishaa Mukerji and Rani Mukerji, daughter Nysa Devgan and mother-in-law Veena Devgan. She shared a throwback video and said, “Happy #womensday to all these amazing women who don’t need a day to celebrate themselves coz they’re running their worlds everyday and they can and do take a day off when they need it without anyone’s permission! Cheers and kudos to this breed of #badasswomen!#internationalwomensday.”
On the work front, Kajol will next be seen in Kriti Sanon’s maiden production venture, ‘Do Patti’. The film marks the first-ever collaboration of Kajol and Kriti Sanon. The teaser of the film was launched in February, and Kajol essays the role of a cop in the film. Speaking about the film earlier , Kajol said, “Do Patti has a standout script that promises a unique blend of adventure and mystery. It is a story that is not only rooted in India but also promises the thrill that can be enjoyed by entertainment enthusiasts across borders ’’
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