Entertainment
CAIRO : How Bollywood has been a bridge between Egypt, India
CAIRO : Over the next few days, India-Egypt bonhomie will be further burnished by a series of bilateral agreements and the diplomatic affability will also reflect in President Abdel Fattah El-Sisi’s presence as the chief guest at the Republic Day celebrations.
But the cultural ties run deeper. Over a swathe of decades in the land of Mo Salah, many Egyptians have built a personal bond with Hindi films. They have thronged to watch Dilip Kumar’s Aan, gorged on Big B’s Mard on grainy VHS tapes and queued up for Shah Rukh Khan’s My Name is Khan in Cairo.
It isn’t just the people, even presidents have loved Hindi cinema. Not many know that Egypt’s (then) President Gamal Abdel Nasser attended the 7th Filmfare Awards in Bombay in 1960.

The attraction is mutual. Bollywood too has been fascinated by Egypt’s landscape and monuments, especially the pyramids. From Bachchan in The Great Gambler (1976) to Akshay Kumar in Singh is Kinng (2008) – Hindi cinema’s biggest and brawniest have bashed up baddies and shimmied to songs there.
Ancient as the two civilizations are, shared anti-colonial objectives have crafted modern associations between Egypt and India. The Union ministry of external affairs said in 2014 that Mahatma Gandhi and Egyptian statesman Saad Zaghloul had common goals on independence of their countries. The ties were elevated by the close friendship between Nasser and Jawaharlal Nehru, leading to a Friendship Treaty between the two nations in 1955. Nasser and Nehru, along with Yugoslavia’s Josif Broz Tito, were regarded as the three pillars of the global Non-Aligned Movement (NAM).
But beyond the world of politics and diplomacy, an invisible people-to-people connection was forged beginning in the 1930s through the world of moving pictures in darkened theatres. In an insightful paper titled, The Ubiquitous Nonpresence of India, Oxford professor Walter Armbrust referred to the fan magazine Al Kawakib (The Star) to show how Hindi cinema had come to be discussed in Egypt, though not always positively, in the 1930s.
But the cultural kinship side of the cinematic association wasn’t ignored either as a 1957 article in the same magazine showed. “The secret to the success of Indian films in Egypt is that they portray a common life of both the Indian and the Egyptian, with only trivial differences attributable to environmental factors.
The music in these films moves us and lifts our spirits because it springs from the same source: the magic of the East and its spirituality. ” Egypt boasts a film industry of its own and the 1940s to 1960s period is regarded as “the Golden Age of Egyptian cinema”.
Trade Guide, a Hindi film business magazine, acknowledged in 1963 that Egypt produces technically high-standard films while also importing movies from the US and UK. “The audience is sophisticated and only first-class films with powerful story and colour element will be a commercial success,” said an article headlined, World Market for Indian Films.
The 1980s marked the arrival of video cassettes, which turned cinema-viewing into home entertainment for the first time. Pirated VHS tapes further expanded the global reach of Bollywood films and stars. From the1980s onwards, Bachchan became a megastar in Egypt.
“Bachchan skyrocketed into Egypt’s cinema star constellation with films like Geraftaar and Mard (1985) that viewers saw in theatres or watched on video cassette. . . Back in India, Bachchan’s films from the late 1980s did not attract audiences like they had at the peak of his stardom, when he was known as the ‘Angry Young Man’. But the later films still had enthusiastic fans in Egypt,” wrote Texas-based academic Claire Cooley in film journal Jump Cut.
Armbrust recalled two fascinating anecdotes that illustrate the extent of Big B’s popularity in Egypt. He wrote, “One urban legend circulating in the early 1990s was that a plane carrying Amitabh Bachchan touched down briefly in the Cairo airport for refuelling.
Word got out about the Hindi star’s presence, and tens of thousands of people came to the airport hoping to catch a glimpse of him. I saw a more concrete example of Bachchan’s presence in the displays of vendors in a popular market near downtown. Some of these vendors sold tee shirts emblazoned with the face of Bachchan.”
It’s a point that Ahmad Mohd Ahmad Abdel Rahman, head, department of Urdu, Al-Azhar University, Cairo, reaffirmed in 2011. “If any Indian is spotted on the streets, the first welcoming words people utter are ‘Hello, Amitabh Bachchan,” he had told TOI then. It’s a matter of academic exploration how an individual becomes synonymous with a nation.
Egypt’s love affair with Hindi cinema has continued in recent years. In 2015, journalist Ati Metwaly wrote on Ahram Online how the Egyptians flocked to a Bollywood dance workshop at the Indiaby the Nile festival. “Young Egyptians hum Indian songs even if they don’t understand the lyrics,” Metwaly said.
Shah Rukh Khan is wildly popular in Egypt. King Khan’s immense draw is exemplified by a 2021 incident that Ashwini Deshpande, who teaches at Ashoka University, divulged on social media. She tweeted, “Needed to transfer money to a travel agent in Egypt.
Was having problems with the transfer. He said: you are from the country of @iamsrk. I trust you. I will make the booking, you pay me later. For anywhere else, I wouldn’t do this. But anything for @iamsrk…” Later Shah Rukh heartwarmingly sent his autographed photos and a handwritten note to the travel agent.
The occurrence underlines the power of cinema: how it can demolish geographical distances and cultural differences and touch the heart, how it can shape attitudes towards an entire people and a country. Hopefully, there are more stanzas to be sung in this enduring duet
Entertainment
NEW DELHI: Karan Johar’s Dharma Productions Sells 50% Stake
NEW DELHI: Business tycoon Adar Poonawalla has acquired a 50% stake in Karan Johar‘s Dharma Productions and Dharmatic Entertainment (collectively known as Dharma). According to a press note released by Dharma Productions, the deal, finalised for ₹1,000 crore, involves Poonawalla’s Serene Entertainment. The remaining 50% ownership will remain with Karan Johar, who will lead the company’s creative vision as the Executive Chairman.
As the Chief Executive Officer, Apoorva Mehta will collaborate with Karan to guide the strategic direction and ensure operational excellence within the organisation.
Adar Poonawalla expressed his happiness to join hands with Karan Johar. He said, “I am delighted to have the opportunity to partner with one of the most iconic production houses in our nation, along with my friend Karan Johar. We hope to build and grow Dharma and scale even greater heights in the years to come.”
Talking about the partnership, Karan Johar said, “From its inception, Dharma Productions has been synonymous with heartfelt storytelling that captures the essence of Indian culture. My father dreamed of creating films that would leave a lasting impact, and I’ve dedicated my career to expanding that vision.”
KJo added, “Today, as we join forces with Adar, a close friend and an exceptional visionary and innovator, we’re poised to elevate Dharma’s legacy to new heights. This partnership represents a perfect blend of our emotional storytelling prowess and forward-thinking business strategies. It’s about honoring our roots while embracing the future of global entertainment. Dharma’s journey has been remarkable, and this collaboration opens up a world of possibilities for creating content that will resonate across borders and generations.”
The CEO of Dharma, Apoorva Mehta said that this partnership allows the production house to take “bigger creative steps.” He said, “Over the years, I’ve witnessed Dharma’s transformation into a multi-faceted content powerhouse. This partnership with Adar realizes our vision and marks a new era where cinema, streaming, and global content converge. It enables us to explore new avenues in content creation and distribution, elevating the Indian entertainment ecosystem. More importantly, this investment allows us to take bigger creative steps.”
Dharma Productions was founded in 1976 by Karan Johar’s father, Yash Johar. The production house has been behind films such as Kuch Kuch Hota Hai, Kabhi Alvida Naa Kehna, Student of the Year, Good Newwz and Brahmastra: Part One – Shiva.
On the other hand, Dharmatic Entertainment was launched in 2018 and focuses on a wide array of projects, including web series, documentaries and feature films. Ajeeb Daastaans, Ae Watan Mere Watan, Koffee With Karan, Fabulous Lives of Bollywood Wives and The Tribe are produced by Dharmatic Entertainment.
Entertainment
MUMBAI: Shahid Kapoor opens up about the challenges faced by character actors in Bollywood
MUMBAI: There is a prejudice against star kids that every actor’s child is born with a silver spoon in his mouth. However, according to Shahid Kapoor, this is not true, as the power lies in the hands of superstars, big directors, producers, and not character actors.
In a conversation with Neha Dhupia on her chat show, Shahid Kapoor, who is the son of veteran actor Pankaj Kapur, delved into the nuanced dynamics of privilege and struggle within the Bollywood industry. Despite his lineage, Kapoor candidly addressed the challenges faced by character actors, highlighting the stark reality that only superstars wield significant influence while character actors often lack power.
Shahid expressed his belief in the importance of earning success through hard work, emphasizing the satisfaction derived from overcoming obstacles and earning recognition on merit. He said starting your struggle in a luxury car and then buying a luxury car after being successful doesn’t have any fun. One needs to know the challenge of traveling on local trains, and the complexity of arranging money for the first photoshoot, as the victory after this hard work tastes sweet.
He even reflected on being a background dancer during his initial days. He said, forget about enjoying a star status among the other background dancers, when you are working with choreographer Shaimak Dawar, you need to earn your place in the center. He expressed that there was a struggle and fight among his contemporaries to get a spot in the first row.
Amid these reflections, Kapoor remains focused on his craft, having recently commenced shooting for his upcoming action thriller, ‘Deva,’ which was announced last year.
Entertainment
MUMBAI: Pyaar Kiya To Darna Kya turns 26: Kajol says THIS was the symbol of an innocent girl back then
MUMBAI: One of the most successful movies of the 90s, Pyaar Kiya To Darna Kya brought on-screen Kajol and Salman Khan for the first time, in a simple boy meets girl love story. The movie also starred Arbaaz Khan and Dharmendra in key roles, and was directed by Salman’s brother Sohail Khan.
Today, the movie completed 26 years of its release, and marking the occasion, Kajol took to her IG handle to share some stills with Salman, Dharmendra and Arbaaz. In the movie, Kajol plays Muskaan, a simple village girl, who goes to the city for higher studies, where she meets the rich Suraj (Salman), and falls in love with him, despite their contrasting backgrounds. Sharing the same, Kajol wrote, “When tying ur hair in a plait was a symbol of an innocent girl 👧🤪 #26yearsofpyaarkiyatodarnakya”
While on Kajol, earlier this month, on Women’s day, March 8, Kajol posted a video paying tribute to the wonderful women in her life including her mother Tanuja, sisters Tanishaa Mukerji and Rani Mukerji, daughter Nysa Devgan and mother-in-law Veena Devgan. She shared a throwback video and said, “Happy #womensday to all these amazing women who don’t need a day to celebrate themselves coz they’re running their worlds everyday and they can and do take a day off when they need it without anyone’s permission! Cheers and kudos to this breed of #badasswomen!#internationalwomensday.”
On the work front, Kajol will next be seen in Kriti Sanon’s maiden production venture, ‘Do Patti’. The film marks the first-ever collaboration of Kajol and Kriti Sanon. The teaser of the film was launched in February, and Kajol essays the role of a cop in the film. Speaking about the film earlier , Kajol said, “Do Patti has a standout script that promises a unique blend of adventure and mystery. It is a story that is not only rooted in India but also promises the thrill that can be enjoyed by entertainment enthusiasts across borders ’’
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