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MUMBAI: From Van Gogh to Lord of the Rings: Algorithms decode legendary ‘hot streaks’

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MUMBAI: Ever heard of the paintings The Potato Eaters, Bulb Fields and Lying Cow? What if I told you they were crafted by the same artist who inspired The Starry Night mug you picked up from a museum gift shop? 

Vincent Van Gogh’s repertoire holds a mystery. He painted his most prized masterpieces — his sunflowers and angular bedroom, for instance — within a compact few years of a very long career. His artwork before and after that duration were never really as worthy of the spotlight. 

Why those years? Coincidence, maybe?

Dubbed his “hot streak,” the master of impressionism’s rapid-fire success has been chalked up to luck, fate and even randomness. But after researchers analyzed dozens of his paintings with deep-learning algorithms, they found the sudden bump in artistic wins to be anything but a coincidence. Their findings appeared Monday in the journal Nature Communications. 

They might’ve actually uncovered a formula: “exploration,” then “exploitation.”

“Before your hot streak occurs, the works you engage in tend to be exploratory, in terms of exploring with diverse styles and topics,” said the study’s lead author Dashun Wang, a professor of industrial engineering and management sciences in Northwestern’s McCormick School of Engineering.

“When the hot streak begins,” he said, “your work has to be exploitative — in the sense that you’ll become very focused on what you work on.”

Artistic careers that continuously evolve and experiment with different approaches, or those that focus only on a single angle, are less likely to have a hot streak, the research shows. It’s the sequence of the two — a pattern Van Gogh’s collections indicate — that drives a spike in creating masterpieces.

“Hot streaks kind of dominate the main impact of a career,” Wang said. “Often, the career-defining work was produced during the hot streak.”

Van Gogh isn’t the only prominent example of the phenomenon. Jackson Pollock is famous for his drip period between 1947 and 1950. That’s when he produced his iconic, unique canvases layered in scribbles of colorful paint — that your elementary school teacher probably tried to have you replicate.

Peter Jackson, director of The Lord of The Rings trilogy, didn’t see outward success in his films until a career-defining moment — taking the beloved fantasy series to the screen. Thank you, hot streak, for helping give life to Sméagol.

“You feel like it’s magic. It just happens somewhere in your career, but that’s deeply unsatisfying,” Wang said. “The contribution of this paper is to show that it’s not all magic.”

Maintaining a hot streak

Though explaining the findings are more correlation than causation, meaning they aren’t a recipe to success, Wang urges “there is some regularity” in how artists achieve hot streaks.

To unlock the mystery, his team’s algorithms — repurposed from those used in driverless cars — scanned artists’ paintings for brushstroke trends, linear orientation and use of various objects. They analyzed directors’ filmography for cast selection, genre and identifiable plot structure, and they dissected scientists’ publications for cited literature and topics. Altogether, they studied thousands of hot streak incidences.

“If we want to know what happens around hot streaks, we’ve got to look at the work itself, look into whether the character of the work is different — before and after the hot streak began,” Wang said.

Sure enough, prior to the beginning of his hot streak in 1888, Van Gogh’s brush movements were all over the place — so were Pollock’s before his own streak. Jackson’s movies leaned into contrasting directions of genre and cast choice. 

But during their streaks, each career focused on what suited the creator best.

Wang hopes the team’s novel findings of how hot streaks begin will lead to predictive tools that can help procure such short-lived, yet strong, success for people on demand.

Imagine if, one day, we could look back at our careers and calculate which style or topic we explored will most likely foster a masterpiece. But the team’s next big question is, “How can we know when to enter the exploitative phase in the first place?”

Wang reflects on how, during his book signings, he used to say “May the hot streak be with you.”

“For the longest time, I felt like this was just a wish. That what I said to them is the same as good luck. But I think now — at least in my mind — this is going beyond just good luck.”

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NEW DELHI: Karan Johar’s Dharma Productions Sells 50% Stake

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NEW DELHI: Business tycoon Adar Poonawalla has acquired a 50% stake in Karan Johar‘s Dharma Productions and Dharmatic Entertainment (collectively known as Dharma). According to a press note released by Dharma Productions, the deal, finalised for ₹1,000 crore, involves Poonawalla’s Serene Entertainment. The remaining 50% ownership will remain with Karan Johar, who will lead the company’s creative vision as the Executive Chairman.

As the Chief Executive Officer, Apoorva Mehta will collaborate with Karan to guide the strategic direction and ensure operational excellence within the organisation.

Adar Poonawalla expressed his happiness to join hands with Karan Johar. He said, “I am delighted to have the opportunity to partner with one of the most iconic production houses in our nation, along with my friend Karan Johar. We hope to build and grow Dharma and scale even greater heights in the years to come.”

Talking about the partnership, Karan Johar said, “From its inception, Dharma Productions has been synonymous with heartfelt storytelling that captures the essence of Indian culture. My father dreamed of creating films that would leave a lasting impact, and I’ve dedicated my career to expanding that vision.” 

KJo added, “Today, as we join forces with Adar, a close friend and an exceptional visionary and innovator, we’re poised to elevate Dharma’s legacy to new heights. This partnership represents a perfect blend of our emotional storytelling prowess and forward-thinking business strategies. It’s about honoring our roots while embracing the future of global entertainment. Dharma’s journey has been remarkable, and this collaboration opens up a world of possibilities for creating content that will resonate across borders and generations.”

The CEO of Dharma, Apoorva Mehta said that this partnership allows the production house to take “bigger creative steps.” He said, “Over the years, I’ve witnessed Dharma’s transformation into a multi-faceted content powerhouse. This partnership with Adar realizes our vision and marks a new era where cinema, streaming, and global content converge. It enables us to explore new avenues in content creation and distribution, elevating the Indian entertainment ecosystem. More importantly, this investment allows us to take bigger creative steps.”

Dharma Productions was founded in 1976 by Karan Johar’s father, Yash Johar. The production house has been behind films such as Kuch Kuch Hota Hai, Kabhi Alvida Naa Kehna, Student of the Year, Good Newwz and Brahmastra: Part One – Shiva.

On the other hand, Dharmatic Entertainment was launched in 2018 and focuses on a wide array of projects, including web series, documentaries and feature films. Ajeeb Daastaans, Ae Watan Mere Watan, Koffee With Karan, Fabulous Lives of Bollywood Wives and The Tribe are produced by Dharmatic Entertainment.

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MUMBAI: Shahid Kapoor opens up about the challenges faced by character actors in Bollywood

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MUMBAI: There is a prejudice against star kids that every actor’s child is born with a silver spoon in his mouth. However, according to Shahid Kapoor, this is not true, as the power lies in the hands of superstars, big directors, producers, and not character actors.
In a conversation with Neha Dhupia on her chat show, Shahid Kapoor, who is the son of veteran actor Pankaj Kapur, delved into the nuanced dynamics of privilege and struggle within the Bollywood industry. Despite his lineage, Kapoor candidly addressed the challenges faced by character actors, highlighting the stark reality that only superstars wield significant influence while character actors often lack power.

Shahid expressed his belief in the importance of earning success through hard work, emphasizing the satisfaction derived from overcoming obstacles and earning recognition on merit. He said starting your struggle in a luxury car and then buying a luxury car after being successful doesn’t have any fun. One needs to know the challenge of traveling on local trains, and the complexity of arranging money for the first photoshoot, as the victory after this hard work tastes sweet.

He even reflected on being a background dancer during his initial days. He said, forget about enjoying a star status among the other background dancers, when you are working with choreographer Shaimak Dawar, you need to earn your place in the center. He expressed that there was a struggle and fight among his contemporaries to get a spot in the first row.

Amid these reflections, Kapoor remains focused on his craft, having recently commenced shooting for his upcoming action thriller, ‘Deva,’ which was announced last year.

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MUMBAI: Pyaar Kiya To Darna Kya turns 26: Kajol says THIS was the symbol of an innocent girl back then

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MUMBAI: One of the most successful movies of the 90s, Pyaar Kiya To Darna Kya brought on-screen Kajol and Salman Khan for the first time, in a simple boy meets girl love story. The movie also starred Arbaaz Khan and Dharmendra in key roles, and was directed by Salman’s brother Sohail Khan.

Today, the movie completed 26 years of its release, and marking the occasion, Kajol took to her IG handle to share some stills with Salman, Dharmendra and Arbaaz. In the movie, Kajol plays Muskaan, a simple village girl, who goes to the city for higher studies, where she meets the rich Suraj (Salman), and falls in love with him, despite their contrasting backgrounds. Sharing the same, Kajol wrote, “When tying ur hair in a plait was a symbol of an innocent girl 👧🤪 #26yearsofpyaarkiyatodarnakya”

While on Kajol, earlier this month, on Women’s day, March 8, Kajol posted a video paying tribute to the wonderful women in her life including her mother Tanuja, sisters Tanishaa Mukerji and Rani Mukerji, daughter Nysa Devgan and mother-in-law Veena Devgan. She shared a throwback video and said, “Happy #womensday to all these amazing women who don’t need a day to celebrate themselves coz they’re running their worlds everyday and they can and do take a day off when they need it without anyone’s permission! Cheers and kudos to this breed of #badasswomen!#internationalwomensday.”

On the work front, Kajol will next be seen in Kriti Sanon’s maiden production venture, ‘Do Patti’. The film marks the first-ever collaboration of Kajol and Kriti Sanon. The teaser of the film was launched in February, and Kajol essays the role of a cop in the film. Speaking about the film earlier , Kajol said, “Do Patti has a standout script that promises a unique blend of adventure and mystery. It is a story that is not only rooted in India but also promises the thrill that can be enjoyed by entertainment enthusiasts across borders ’’

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